Archive for the 'social computing' Category

Veokami is an awesome new concert video curating service

Published on July 3, 2011 in social computing, with 1 Comment. Tags: , , , .

I’ve been in America now two years (wow!) and one of the best things that’s happened to me since moving here is being involved in the Aussie community of entrepreneurs in Silicon Valley (which actually is filled with New Zealander’s as well!). I don’t know all the Aussies, but the ones I do know have entirely justified the life-changing decision I made to move to America: the combined economic impact this group have had and will have in the next decade on the Australian, Kiwi and US economy really is amazing.

So it’s exciting to see one of my good friends and upcoming entrepreneur’s in the group Brett Welch strike it out on his own with his startup Veokami. Chris Hartley and Brett have built this funky piece of technology that aggregates all the video taken from a concert. For example, hundreds of people will record a show with their camera phones now and some upload it to youtube. Veokami synthesises all these videos and puts them in a timeline, so that it not only will organise the songs in a timeseries order, but will put them parallel to the timeline with videos shown from a different perspective. It’s like watching a TV recording of the concert, with you being able to switch camera angles…except the difference is, all this video is automatically organised and the video comes from hundreds of amateur footage shared by the Internet.

Check the video below for a sneak peak. And please vote for them on the hacklolla challenge as I’d love to see this service get integrated into concerts around the world, which further enables the power of the Internet and computing to transform our lives. It’s tools like this that put more power in the hands of the consumer and that alone is a reason why we should be supporting startups like this.

The potential of this technology really is interesting when you consider any public organisation of people — from political rallies to conferences to parties — the ubiquity of mobile camera’s now is unleashing a new collective intelligence in our world and Veokami helps stitch that intelligence together in a curated way.

There’s something about you turntable.fm

Published on July 3, 2011 in social computing, with 2 Comments. Tags: , , , .

Three weeks ago, Turntable.fm became the hype in the echo chamber. Like I do with everything, I’m been observing and reflecting on how it’s being used by other people and myself. In short, I like it. It’s such a simple idea that could further disrupt the traditional radio business.

What it is
For the uninitiated, it’s an an Internet radio station, with a quirky web page that people interact in. People either sit in the room bopping their heads (approving the music) or people put themselves in the DJ chair and compete against another 4 DJ’s for the best tunes according to the room theme.

Turntable: room

My first observation: Spotify will kill it. Or not.
While they appear to be completely different, I keep thinking about my Spotify experience a year ago when I was in Europe: I was hooked. And it was for the same reason — I could subscribe to a friends playlist (turntable I can follow a friend and hear when they play). The benefit is that I can get filtered serendipity and discovery, like how radio has done for decades. (For example, you may love a particular kind of music but have no idea what the latest tracks are or the time to curate playlists — but you have friends who do so would rather follow their enthusiasm.)

Turntable’s cool, but I keep thinking it’s Myspace and Spotify is Facebook. When Spotify launches in the US (rumoured to finally be this month), then turntable’s core value in providing this discovery will be replaced as Spotify is just an amazing service. But I’m not so sure about that now, as actually it might be away where playlists in Spotify get generated so it’s completely complementary.

My second observation: it’s competitive curation
In this explosion of social media, people are starting to appreciate the role editors played in the traditional media. Curated content is a skill that algorithms still can’t beat humans at (and actually, the best kinds are based off existing human preferences).

With Turntable, you select a room and sit there listening to the music. People compete for the “DJ” spot at the table (of which there are a maximum of 5). A chat room allows people in the room to chat like the old days of IRC and give direct feedback to the DJ’s or discuss music. The vote meter helps regulate the quality of music as high votes not only impact the DJ’s rating but down votes can cut the song being played and move onto the next DJ’s track.

This motivation to please the crowd means there is an active effort to curate the playlists into something worthwhile. That’s an interesting concept to consider, as playlists in past have tended to be done by people along without real consideration of others listening to it (or at least, real time feedback to consider it).

My third observation: it’s social, like the Athenian assembly social
Turntable: chatroom

I don’t fully understand why yet, but the chat room aspect is the most powerful component of the experience despite being the most subtle. While the voting mentioned in my second observation creates a motivation to enhance their DJ reputation by playing good music, the chatroom makes this curation directly in touch with the audience.

It’s like a democracy, where those representing and controlling the room’s music are actually completely dependent on the goodwill of the audience. The voting is the main way this is enforced, but the chatroom is where people will negotiate. Games will be determined where certain patterns in music will be played; feedback of bad songs will be given to DJ’s; and requests will be sent. It’s like a radio station completely accountable to its audience.

Like Twitter, the service will evolve based on these discussions. Some of Twitter’s most useful features like @ replying (which turned it into a communications tool) and hashtags (which turned into into a information resource) were invented and popularised by their most passionate users. Turntable.fm offers a similar utility around music and I think will evolve in a similar way. Like any startup, it’s hard to know where turntable.fm will be in six months time, but one things for sure: it’s sticky and it’s only going to get better.

Platform growth over user privacy

Published on January 18, 2011 in DataPortability, Privacy and social computing, with 0 Comments. Tags: , , , , , , .

Facebook announced that data about yourself (like your phone number) would now be shared with applications. Since the announcement, they’ve backed down (and good work to ReadWriteWeb for raising awareness of this).

I’ve been quoted in RWW and other places as saying the following:

“Users should have the ability to decide upfront what data they permit, not after the handshake has been made where both Facebook and the app developer take advantage of the fact most users don’t know how to manage application privacy or revoke individual permissions,” Bizannes told the website. “Data Portability is about privacy-respecting interoperability and Facebook has failed in this regard.”

Let me explain what I mean by that:

This first screenshot is what users can do with applications. Facebook offers you the ability to manage your privacy, where you even have the ability to revoke individual data authorisations that are not considered necessary. Not as granular as I’d like it (my “basic information” is not something I share equally with “everyone”, such as apps who can show that data outside of Facebook where “everyone” actually is “everyone”), but it’s a nice start.

http:__www.facebook.com_settings_?tab=applications

This second screenshot, is what it looks like when you initiate the relationship with the application. Again, it’s great because of the disclosure and communicates a lot very simply.
Request for Permission

But what the problem is, is that the first screenshot should be what you see in place of the second screenshot. While Facebook is giving you the ability to manage your privacy, it is actually paying lipservice to it. Not many people are aware that they can manage their application privacy, as it’s buried in a part of the site people seldom use.

The reason why Facebook doesn’t offer this ability upfront is for a very simple reason: people wouldn’t accept apps. When given a yes or no option, users think “screw it” and hit yes. But what if they did this handshake, they were able to tick off what data they allowed or didn’t allow? Why are all these permissions required upfront, when I can later deactivate certain permissions?

Don’t worry, its not that hard to answer. User privacy doesn’t help with revenue revenue growth in as much as application growth which creates engagement. Being a company, I can’t blame Facebook for pursuing this approach. But I do blame them when they pay lipservice to the world and they rightfully should be called out for it.